Anthony Mackie photographed by Gregg Delman
what she says: i’m fine
what she means: I’m staring into a lightless abyss. Steve Roger’s unconditional loyalty to Bucky Barnes has made me a shell of a human being; the fact that Bucky saved Steve’s life without even really knowing who he was has crushed my soul. If you’re not here to talk to me about the winter soldier, don’t talk to me at all. I’m with you til the end of the line, pal.
Q: How do you feel about being the first African-American superhero?
AM: It’s funny you should ask that. [LAUGHS] It’s cool. When I was a kid, I really didn’t have a person I could look at, other than my dad, and be like, “Hey, I want to be that guy and fly through the window.” You couldn’t be like 7 years old and say, “Who do you want to be for Halloween?” “Shaft!”
So [LAUGHS] you know, it’s really exciting. When I first got this role I just cried like a baby because I was like, “Wow, next Halloween, I’m gonna open the door and there’s gonna be a little kid dressed as the Falcon.” That’s the thing that always gets me. I feel like everybody deserves that. I feel like there should be a Latino superhero. Scarlett does great representation for all the other girls, but there should be a Wonder Woman movie. I don’t care if they make 20 bucks, if there’s a movie you’re gonna lose money on, make it Wonder Woman. You know what I mean, ’cause little girls deserve that. There’s so many of these little people out here doing awful things for money in the world of being famous. And little girls see that. They should have the opposite spectrum of that to look up to.
—Anthony Mackie, “Falcon” in Captain America: The Winter Soldier
You know, funny story: There’s this craft store called Michaels. Look, my sister knits, and she goes to Michaels. So my sister called me and she’s like, “Oh my god, I’m at Michaels, picking up yarn. You have a poster at Michaels.” I’m like, “What?” She’s like, “There’s a poster, there’s a Falcon poster at Michaels.” I’m like, “Holy s**t!” She’s like, “I’m gonna come and pick you up, and we’re gonna see your poster in this store.” So she picks me up and we go to Michaels.
We go in, and I see the poster and I’m like, “Oh, this is….” She’s like, “I know, I know.” I said, “I’m gonna sign these posters.” I was like, “That would be amazing, you buy a poster and it’s like, actually signed by the Falcon.” Like, it would blow my mind. So I go to the front, I buy a Sharpie, I run back to the back of the store. And she’s like, “I’m gonna take a picture of you signing it.”
I’m in this store and I’m signing all the posters. The manager comes out, he’s like, “Hey, whatcha doing?” I was like, “Oh man, I’m signing these posters so when people buy ‘em, they’re signed.” He’s like, “Well, people are not gonna buy ‘em if they’re signed.” And I was like, “No, no, no, it’s cool. I’m pretty sure there won’t be a problem.” And he goes, “Yeah, but it is gonna be a problem, you’re messin’ up my inventory.” And I’m like, “No, my man, trust me. I mean, I’m the Falcon, that’s me!” And he goes, “Yeah, right. You’re gonna buy those posters.” I said, “What?” He’s like, “You’re gonna buy all those posters or I’m gonna call the police.”
He rolls up all the posters and goes to the front of the store. And I had to buy like 60 Falcon posters that I signed in Michaels.—Anthony Mackie getting in trouble for signing his posters at a Micheals (x)
A colleague of mine was talking to me recently about her misgivings about her capabilities regarding writing Women of Color. She wanted very badly to include several WOC characters in her sci-fantasy series, but she had some concerns about correct portrayal and writing them in a way that wouldn’t instantly piss people off. I told her I would write something about it that might help. So, here we have it: How to write POC without pissing everyone off and doing a horrible job.
In general, it comes down to three things. Research, Persistence and Consideration. Also. for the point of this essay, I am going to use Black women, Native Women and Mixed Race women as they each represent different individual (yet very important) racial struggles that need consideration.
1. Research is by far the most important thing. EVER. For this example, I am going to use black women.
It is important to start by trying your hardest to forget anything you think you know about black women and black female identity. As a white person, anything you would know about them you probably learned from media that is not controlled by or monitored by black women themselves. Meaning that it is likely not a good representation of black women at all. Or maybe you just have a black friend.
Which you should consider in the same way you would a control group for a science experiment.
One or two subjects would not provide conclusive evidence in regards to any hypothesis. Having one or two or even five black friends can’t help you with understanding the complex history of black discourse….
In order to start from scratch, I would first spend some time reading literature written by black women for black women. Learning the way black women have discourse among each other is the first step to understanding their perspective AND emulating their voice. Literature is the genre of media where POC have the most liberty (unlike film) to discuss certain topics or parts of their identity.
Then, I would delve into “complaints”. There are thousands upon thousands of articles where black women complain about their portrayal in media. These complaints are both valid and often eloquently expressed. It is important for you to know, what things black women (WOC) are already so fucking tired of seeing in regards to incorrect or offensive portrayals of themselves. Not only will it help you avoid making the same mistakes as white writers before you (an example of this: Arthur Golden and the hot mess that is Memoirs of a Geisha), But it will also get you upset about certain ways black women (POC women in general) are portrayed, and make you want to write them better. This can improve your writing in that not only will you avoid being offensive, but you now have the chance to be progressive and kick stereotypes out the window!
Finally, I would take some time to follow some tumblr blogs that are run by the group you’re trying to write. This part of the research can really help because you’ll get a first hand, contemporary dialogue about issues within the specific POC community. Which leads me to my second topic…
Great guide for white writers and definitely click through the “read more” to see more great points below the fold. But just to add on:
In response to the complaint of white writers about writing about people of color: “Damned if you do. Damned if you don’t,” I want to say: absolutely.
It’s absolutely true. You’re damned either way. If you don’t do it, you’re a racist. Yes, you are. Race and racism exist in this society, and if you ignore them, you’re expressing a racial privilege that you don’t, morally, have any right to. That’s a subtle form of racism.
If you do do it and get it “wrong”, you’ll get reamed, and rightfully so. It’s presumptuous of you to think that you have the right to represent a culture you don’t belong to if you can’t be bothered to properly examine and accurately portray that culture.
Further, if you do it and get it “right”, or rather, don’t get it wrong, you’ll still get reamed by members of that culture you’ve represented who rightfully resent a white writer’s success representing their culture. After all, every American ethnic minority has its writers: good and bad. The good writers are mostly ignored. Inevitably, some white writer will come along and do a bang-up job portraying that culture and will get—in one book, in one section of a book—more attention than the poc writer got over the course of three or five or ten books.
You’re a white writer trying to do the right thing, but no matter what you do, it’s wrong. And that’s so unfair to you, isn’t it?
Welcome to a tiny taste of what it’s like to be a person of color.
Oh, and quit complaining.White writers should not expect to be praised by POC for writing us and writing us “right,” but the alternatives are horrible and a complete erasure of our multifaceted identities. Laziness is racist and privileged, and this guide is a great starting point for white writers trying to parse this space and do the right thing, even if they may still face criticism for it.
PDX. indie. fat. fashion.
photography : Nicole Kondra
hair/MUA: Julaine Wood
styling: Laurel Dickman
models: Kyle Lang, Tawnee Suchey, & Leigh Rich (yours truly)
Here are some scientific facts about blood loss for all you
psychopathswriters out there.
yeah, for writting..
tbh the best marvel headcanon i’ve ever imagined is steve and bucky being giant disney nerds back in the day when there were like 4 disney movies in existence and so then when they’re reunited steve’s like guess what happened when i was in an iceberg and you were a super assassin a frickton of disney movies that’s what and they have a massive disney marathon in the screening room of stark tower that goes on for like a week and they end up singing everything at the top of their lungs and completely out of key and the rest of the avengers are just like i s2g if those two ancient losers start belting out at last i see the light one more time i will lose my fucking mind